Showing Records: 81 - 100 of 140
One Dozen Rain Postcards 1971-1973 / Tot, Endre; Albrecht d., 1971 - 1973
Also designated reflection press 26. Albrecht d was the editor. -- Source of annotation: Marvin or Ruth Sackner.
Parciptiation of the Alien Particle / Mott, Michael., 1971
The artist composed the work on an Olympia Splendid 99. In a personal communication to Marvin Sackner in 2013, Mott stated that his typewritings were influenced by Margaret, his first wife's (died in 1990) weavings plus reading on knots, quipu, etc and not by the reading of Monk's Pond that he was unaware of until the 1980s. He further mentioned that he employed "various degrees of pressure to give variations and life to the work." -- Source of annotation: Marvin or Ruth Sackner.
[parentheses and slashes] (010467) / Houedard, Dom Sylvester., 1967
Columns of parentheses are typed from top right to a sqare form on the bottom left over many lines of diagonal slash marks. -- Source of annotation: Marvin or Ruth Sackner.
plover/plower / Finlay, Ian Hamilton., 1998
The image on the card is the greater sign '>.' -- Source of annotation: Marvin or Ruth Sackner.
Poemoj Sen Vortoj / Poems Without Words / Dikter Utan Ord / Hammarberg-Akesson, Jarl., 1971
[pouring parenthesis] (060467) / Houedard, Dom Sylvester., 1967
The image consists of rows of wavy parenthesis pouring from a box composed of slashes and dashes into a containerat the bottom of the page composed of dashes . -- Source of annotation: Marvin or Ruth Sackner.
Prix Nobel / Reutersward, Carl Fredrik., 1966
The text consists of the empty spaces from the words removed but with the punctuation marks intact. This was also the basis for a sound poem.Internet: The unit was originally created as an accurate representation of all punctuation marks in an article from the Neue Zurcher Zeitung., Nearly 100 pages of punctuation with varying density - a kind of map of written language starry. In Prix Nobel has just written source been returned. What we usually see as central, is shaved away and work out as yet another meaning to Reutersward s excitement of "international letters -- Source of annotation: Marvin or Ruth Sackner.
Punctuation Poem / Hendricks, Bici., 1966
The card is addressed to Emmett Williams of Something Else Press. The printed text depicts a grid of the same question marks. -- Source of annotation: Marvin or Ruth Sackner.
Quabel: 3 feln / Jozsef Biro., 1978
This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.
Quabel: 3 feln / Jozsef Biro., 1978
This work was part of a portfolio entitled, "Quabel." -- Source of annotation: Marvin or Ruth Sackner.
Reality / Kozlowski, Jaroslaw., 1972
Kozlowski removed the text from Kant's essay "Kritik der reinen Vernunft" leaving only the punctuation marks. -- Source of annotation: Marvin or Ruth Sackner.
[rectangles - handles] (270167) / Houedard, Dom Sylvester., 1967
The two red square and the two blue squares are made with@ symbols. -- Source of annotation: Marvin or Ruth Sackner.
Ritmo D. Feeling the Blanks / Boglione, Riccardo., 2009
In the letter to Marvin Sackner, Riccardo Boglione wrote that this book "is the removal of all the words of the entire Boccaccio's Decameron, except for the spacing between words and the punctuation...Ritmo D ignites the tension between erasure and evocation of one of the most censored books in history. An example of abstract literature, of an illegible text that, yet, can be read." -- Source of annotation: Marvin or Ruth Sackner.